Batman Movies: Joel Schumacher (Batman Forever/Batman and Robin)

Batman Forever and Batman and Robin were each a mishmash of hokey aesthetics and bad jokes, covering a plot of lame B-movie sci-fi clichés.
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Batman Forever and Batman and Robin were each a mishmash of hokey aesthetics and bad jokes, covering a plot of lame B-movie sci-fi clichés.
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The remake of the remake of The Thing is just a soulless, assembly line exercise in gaudy special effects, tension-free action and lots of excessively loud booming sounds.
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Transformers: Dark of the Moon is too disconnected to work as a conclusion, too grounded to be a memorable fantasy epic, too goofy to be drama, not goofy enough to be camp, too dull to hold interest and too loud to sleep through.
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You never really get drawn into the war-torn America of Homefront; it never even tries to pull you in, it’s too busy trying to be a generic, paint-by-numbers, ho-hum, average, bog-standard, run-of-the-mill, dime-a-dozen, been-there-done-that traditional first-person shooter.
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It’s pointless, it’s derivative, it’s cynical, it’s clumsy, it’s asinine, it’s patronizing, it’s anachronistic, it’s lazy, it’s just plain bad.
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Take a movie with brilliant ideas, deep and engrossing characters and clever dialogue and then hand it to a director who doesn’t know which side of the camera is the “shooty end” and you’ll likely get a product that’s so substandard you won’t care about the thought that went into it. And sadly, that’s Epic Mickey.
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The special effects look okay and Jackie Earle Haley performs well enough in an unenviable role, but the plot is vapid, the characters drab and the twists inexplicably straight. A Nightmare on Elm Street is just the latest victim of a movie industry so bereft of originality that it allows parasites to feast on the desiccated husk of its better days.
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Repo Men seems like it wanted to be an absurdist action/comedy with a heart; but the action is bland, the comedy too infrequent and that heart is as blatantly manufactured as the one in the protagonist’s chest.
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A disjointed and overly eclectic movie, District 9 offers just enough apartheid allegory to pretend it’s intelligent when it isn’t, a sci-fi plot governed by the genre’s worst cliches and enough action, gore and ray guns to fluff it all out to an appropriate cinematic length.
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With poor writing, erratic pacing, the misuse and under-use of several characters and some questionable CGI, Wolverine’s very own movie is underwhelming to say the least and a cinematic lobotomy to say the most.
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Sonic and the Black Knight is just a jumbled mess of bad ideas, good ideas done badly and a total misapprehension about what a good Sonic game – or, for that matter, a good videogame – is supposed to be.
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In 2009, Zack Snyder – riding along the popularity he gained from adapting 300 – unleashed his own Watchmen unto the world: a cinematic adaptation of the graphic novel with all the eloquence and depth one would expect from the director of 300.
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